Monthly Archives: December, 2012
GLADYS KNIGHT AND THE PIPS-IMAGINATION.
GLADYS KNIGHT AND THE PIPS-IMAGINATION. In 1973, it came as no surprise that Gladys Knight and The Pips decided leave Motown. After all, Gladys Knight had been forced to live in the shadow of Diana Ross. To onlookers. Diana Ross was Motown’s chosen one, while Gladys Knight had to settle for second best. So after …
GOODY GOODY-GOODY GOODY.
GOODY GOODY-GOODY GOODY. Often, looking back through musical history, one decision can change forever change a group or label’s future. Whether it was Gamble and Huff’s decision to allow their legendary house-band M.F.S.B. to leave Philadelphia International Records following a dispute with money, or Harold Melvin’s decision not give give Teddy Pendergrass equal billing in …
BUNNY SIGLER-LET ME PARTY WITH YOU.
BUNNY SIGLER-LET ME PARTY WITH YOU. Bunny Silger seemed to have been around the Philadelphia music scene forever, by the time he signed to Norman Harris’ new label Gold Mind Records, where he’d release his fifth album Let Me Party With You in 1978. Eleven years before, Bunny had released his debut album Let the …
THE DETROIT SPINNERS-HAPPINESS IS BEING WITH THE SPINNERS.
THE DETROIT SPINNERS-HAPPINESS IS BEING WITH THE SPINNERS. Ever since The Detroit Spinners had signed to Atlantic Records, their fortunes had been transformed. Their 1967 debut album, The Original Spinners, released on Motown, had failed to chart. Three years later, now signed to V.I.P. Records, their 1970 sophomore album 2nd Two Around, saw their fortunes …
JAZ AND MENDOZA-FANTASY.
JAZ AND MENDOZA-FANTASY. Any new record company that describes itself as combining the best of the “old school values,” with “new school digital thinking,” has gotten my attention. Not only that, but it’s gotten my respect. All too often, in music, the past is dispensed with way to freely and quickly. It’s discarded like yesterday’s …
THE RITCHIE FAMILY-BRAZIL.
THE RITCHIE FAMILY-BRAZIL. In the seventies, Philadelphia was a musical hotbed, with the City of Brotherly Love giving the world some of the greatest groups of the decade. Everyone remembers artists like Billy Paul, Teddy Pendergrass and Barbara Mason, plus groups like The O’Jays, The Three Degrees, M.F.S.B, The Trammps and Harold Melvin and The …
LOVE COMMITTEE-LAW AND ORDER.
LOVE COMMITTEE-LAW AND ORDER. Gold Mind Records was subsidiary of Salsoul Records, run by legendary Philadelphia guitarist, songwriter, arranger and producer, Norman Harris. Norman was responsible for running the label, discovering the talent and with some of his Philly friends, writing, recording and producing these acts. Loleatta Holloway, First Choice and Double Exposure are just …
TEDDY PENDERGRASS-THIS ONE’S FOR YOU.
TEDDY PENDERGRASS-THIS ONE’S FOR YOU. Ever since Teddy Pendergrass left Harold Melvin and The Blue Notes, the success he’d enjoyed with his former group kept on coming. By 1981, Teddy had released five albums since his solo career started in 1977. From his 1977 debut album Teddy Pendergrass was certified platinum, Teddy cemented his reputation …
THE CHARLIE CALELLO ORCHESTRA-CALELLO SERENADE.
THE CHARLIE CALELLO ORCHESTRA-CALELLO SERENADE. Back in 1958, Frankie Vali walked into a nightclub in Newark, New Jersey and immediately, was bowled over by the band that were playing. Straight away, Frankie knew this band were special and knew why. The secret to their success was the man who wrote and arranged their music. When …
THE EBONYS-THE EBONYS.
THE EBONYS-THE EBONYS. During the seventies, Philadelphia International Records was one of the most successful record labels in America. Without a doubt, it was one of Philly Soul’s greatest label. Between 1972 and 1975, it seemed Philadelphia International Records could do no wrong. Artists like The O’Jays, Harold Melvin and The Blue Notes, The Three …
BILLY PAUL-GOT MY HEAD ON STRAIGHT.
BILLY PAUL-GOT MY HEAD ON STRAIGHT. Three years before Billy Billy Paul released Got My Head On Straight in 1975, he’d released his fourth album 360 Degrees of Billy Paul. Not only had 360 Degrees of Billy Paul made Billy Paul a worldwide star, but had played its part in launching Philadelphia International Records as …
HAROLD MELVIN AND THE BLUE NOTES-TO BE TRUE.
HAROLD MELVIN AND THE BLUE NOTES-TO BE TRUE. Between 1972 and 1975, Harold Melvin and The Blue Notes released a quartet of albums that saw one of the most successful artists in the history of Philly Soul. During that period, commercial success and critical acclaim were constant companions for Harold Melvin and The Blue Notes. …
MCFADDEN AND WHITEHEAD-MCFADDEN AND WHITEHEAD.
MCFADDEN AND WHITEHEAD-MCFADDEN AND WHITEHEAD. Anyone familiar with the history of Philly Soul, will realize that some of the best music was written or produced by musical partnerships. Obviously the best known is Gamble and Huff, but there are many more. The Baker, Harris, Young rhythm section were also a successful production partnership, while Norman …
JOHN DAVIS MONSTER ORCHESTRA-NIGHT AND DAY.
JOHN DAVIS MONSTER ORCHESTRA-NIGHT AND DAY. One of the phenomenon’s of the disco era, was the arrival of the disco orchestra. Obviously, the best known and without doubt, best, and most successful was The Salsoul Orchestra. They played their part in making Salsoul Records disco’s most successful and classic label. Other record companies, having seen …
THE O’JAYS-SURVIVAL.
THE O’JAYS-SURVIVAL. That The O’Jays released an album in 1975 entitled Survival, is almost ironic. 1975 would prove to be a traumatic year for The O’Jays’ label Philadelphia International Records. During 1975 Gamble and Huff were locked in a dispute with many of the members of their legendary house-band M.F.S.B. over money. Eventually, after the …
FIRST CHOICE-THE PLAYER.
FIRST CHOICE-THE PLAYER. In the early seventies, Philadelphia had become the soul capital of America. Forget about Detroit or Memphis, Philly was where some of the greatest soul music was being produced. Philly was a hive of musical creativity, with the Philly Sound providing the soundtrack to much of the seventies. This soundtrack came courtesy …
THE TRAMMPS-WHERE THE HAPPY PEOPLE GO.
THE TRAMMPS-WHERE THE HAPPY PEOPLE GO. After a series of modest hit singles, The Trammps contract with Buddah Records ended. Baker, Harris, Young decided to form their own label, Golden Fleece Records, which would release their debut album, Trammps. Released in 1975, Trammps reached number 159 in the US Billboard 200 and number thirty in …
BLUE MAGIC-BLUE MAGIC.
BLUE MAGIC-BLUE MAGIC. Having left The Delfonics, Randy Cain started working with Ted Mills, a Philadelphia-based songwriter. The pair would cowrite songs for the Philly-based WMOT production company. Not long after they started collaborating, Randy and Ted met Shades of Love, a Philly vocal group yet to make their commercial breakthrough. Featuring Keith Beaton, Richard …
M.F.S.B.-M.F.S.B.
M.F.S.B.-M.F.S.B. By 1973, Philadelphia International Records was well on the way to becoming one of the most successful record labels of all time, whilst supplying the soundtrack for the seventies, and a generation. Critically acclaimed and commercially successful albums started flowing out of Philadelphia. This included The O’Jays’ Backstabbers, Harold Melvin and The Blue Notes’ …
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