Category Archives: Free Jazz
JIMI HENDRIX-MACHINE GUN JIMI HENDRIX THE FILLMORE EAST 12/31/1969 (FIRST SHOW).
JIMI HENDRIX MACHINE GUN JIMI HENDRIX THE FILLMORE EAST 12/31/1969 (FIRST SHOW). By the time Barry Fey was booking acts for the first Denver Pop Festival in 1969, The Jimi Hendrix Experience were regarded as one of the most exciting and innovative bands of the late sixties. This made them the perfect band to close …
MANUEL GOTTSCHING-INVENTIONS FOR ELECTRIC GUITAR.
MANUEL GOTTSCHING-INVENTIONS FOR ELECTRIC GUITAR. When Manuel Göttsching released Inventions For Electric Guitar in 1975, it was regarded as a new chapter in his career. Inventions For Electric Guitar was Manuel Göttsching’s debut solo album, and first album post Ash Ra Tempel album. Or was it? Eagle eyed record buyers having bought Inventions For Electric …
VENEZUELA 70-COSMIC VISIONS OF A LATIN AMERICAN EARTH-VENEZUELAN EXPERIMENTAL ROCK IN THE 70S.
VENEZUELA 70-COSMIC VISIONS OF A LATIN AMERICAN EARTH-VENEZUELAN EXPERIMENTAL ROCK IN THE 70S. Over the last twenty years, the compilation market has been totally transformed. Nowadays, the compilation market is bigger, with many more labels regularly releasing compilations. A turning point was the mid to late nineties, when many small, independent labels began to release …
IAN GILLAN-THE GILLAN BAND AND GILLAN YEARS.
IAN GILLAN-THE GILLAN BAND AND GILLAN YEARS. From the late sixties, right through to the seventies, fusion was one of the most popular musical genres. Fusion was popular on both sides of the Atlantic. However, by the late seventies record buyers were tiring of the fusion of jazz and rock. So were some musicians. This included …
WEATHER REPORT-THE COLUMBIA YEARS 1971-1975.
WEATHER REPORT-THE COLUMBIA YEARS 1971-1975. By the late-sixties, jazz was no longer as popular as it had once been. Jazz’s popularity had plummeted over the last few years. Many jazz clubs were closing, or being converted into venues that put on rock bands. Sales of jazz were down. Critics and cultural commentators were drawing comparisons with blues music. Although there had …
ERLEND APNESETH TRIO-DET ANDRE ROMMET.
ERLEND APNESETH TRIO-DET ANDRE ROMMET. Practise makes perfect. So the old proverb says. Erlend Apneseth is proof of this. He’s one of Norway’s top young fiddlers, and is already competing at the highest level. That has been the case for some time. Erlend Apneseth competes at the elite level in Norway’s National Contest For Traditional …
ORNETTE COLEMAN-THE ATLANTIC YEARS.
ORNETTE COLEMAN-THE ATLANTIC YEARS. A year ago, on June 11th 2015, that Ornette Coleman passed away, aged eighty-five. Music had lost a true legend, whose album Free Jazz: A Collective Improvisation lent its name to a musical genre, free jazz. It’s the genre that Ornette Coleman became synonymous with. However, two years earlier, this nascent …
KLAUS GESING, BJORN MEYER, SAMUEL ROHRER-AMIIRA.
KLAUS GESING, BJORN MEYER, SAMUEL ROHRER-AMIIRA. Collaborations are nothing new. Musicians have been collaborating for over a hundred years. Some of the earliest collaborations took place between delta blues’ singers. Then as music evolved, and new genres were born, artists continued to collaborate. Especially jazz musicians, who have collaborated on many intriguing and innovative albums. …
IDRIS ACKAMOOR AND THE PYRAMIDS-WE BE ALL AFRICANS.
IDRIS ACKAMOOR AND THE PYRAMIDS-WE BE ALL AFRICANS. By the time The Pyramids arrived at the UC Berkeley Jazz Festival in 1977, they had established a reputation as one of the most exciting and innovative live bands on the international circuit. The Pyramids shows were unique, and were a mixture of percussive, spiritual and space-age …
MOSKUS-ULV ULV.
MOSKUS-ULV ULV. The roots of pioneering jazz trio Moskus, can be traced to the prestigious Trondheim Conservatory of Music. That’s where bassist Fredrik Luhr Dietrichson first met drummer Hans Hulbækmo and pianist Anja Lauvdal. Little did they realise at that first meeting, that they would go on to form one of the most innovative groups …
MAJA S.K. RATKJE-CREPUSCULAR HOUR.
MAJA S.K. RATKJE-CREPUSCULAR HOUR. By the time Maja S. K. Ratkje graduated from the Norwegian Academy of Music in 2000, the twenty-seven year old had already won one of the most prestigious awards in Norwegian music, an Edvardprisen. This came in 1999, when Waves 11b won an Edvardprisen in the contemporary music minor work category. …
THE TRONDHEIM JAZZ ORCHESTRA, KIM MYHR AND JENNY HVAL-IN THE END HIS VOICE WILL BE THE SOUND OF PAPER.
THE TRONDHEIM JAZZ ORCHESTRA, KIM MYHR AND JENNY HVAL-IN THE END HIS VOICE WILL BE THE SOUND OF PAPER. Back in 2012, Kim Myhr got the opportunity to collaborate with The Trondheim Jazz Orchestra again. This was an exciting opportunity for composer, guitarist and improviser Kim Myhr. He had already collaborated with The Trondheim Jazz …
FIRE! ORCHESTRA-RITUAL.
FIRE! ORCHESTRA-RITUAL. For their fourth album Ritual, the Fire! Orchestra has undergone a change in lineup. This isn’t unusual. Many groups, including Pink Floyd, Genesis, The Rolling Stones and even The Beatles’ lineup changed. Usually, this happened when one member of the group left. However, what has happened to the Fire! Orchestra is very different. …
STIAN WESTERHUS-AMPUTATION.
STIAN WESTERHUS-AMPUTATION. Over the last few years, Stian Westerhus has established a reputation as one of Europe’s most accomplished and innovative abstract guitar players. This has been the result of a lifetime’s work. That is how long it has taken Stian to hone and tame his unique sound. This dedication has paid off, and nowadays, …
SKADEDYR-CULTUREN.
SKADEDYR-CULTUREN. Between the late sixties and the early eighties, a musical revolution took place in Germany. Groups like Amon Düül II, Ash Ra, Can, Cluster, Harmonia, Kraftwerk, Neu! and Popl Vuh released truly groundbreaking music. Sadly, much of that music was way ahead of its time, and passed the German record buying public by. It …
RED SQUARE-RARE AND LOST 70S RECORDINGS.
RED SQUARE-RARE AND LOST 70S RECORDINGS. Far too often, innovative music falls to find the audience it deserves. Instead, it’s enjoyed by a small, discerning and appreciative audience. These musical connoisseurs recognise the importance of music that could, and should, influence another generation of musicians. Sadly, all too often this doesn’t happen. To rub salt …