BEST NEW ALBUMS OF 2016-PART 7.
BEST NEW ALBUMS OF 2016-PART 7.
Triangle is Susanna’s eleventh album and first for four years. It was released on Susanna’s own SusannaSonata label, and is no ordinary album. Not by a long chalk. Instead, Triangle is a twenty-two song cerebral epic, where Susanna muses and meditates on mortality and religion. It’s a powerful album, that invites reflection and introspection.
Triangle features understated, spartan arrangements. They come courtesy of Susanna’s arsenal of electronics, effects, samples and instruments. When they’re combined, they help hone the stark, understated and beautiful backdrops. Often, they’re a mixture of different musical genres and influences. This includes elements of ambient, avant-garde, chamber folk, drone, electronica, experimental, gospel and indie pop. The result is music that’s cerebral as Susanna muses and meditates on mortality and religion.
As she does, the music on Triangle is variously beautiful, cinematic, emotive, expressive, heartfelt and hopeful. Especially as Susanna’s vocals take centre-stage. She breathes life, meaning and emotion into the lyrics on Triangle. Susanna is at her best on the ballads as she delivers a series of vocal masterclasses. Other times, the music on Triangle changes, becoming dark, melancholy and wistful. This is part of what’s a captivating and cerebral album, Triangle. Its ruminative and invites reflection and introspection on Susanna musings on mortality and religion. The result of Susanna’s musings can be found on Triangle, and are what she describes as: “music for lost souls,” where “nothing is holy, nothing is sacred.”
After a six year absence, Glasgow’s very own Kings of jangle pop, Teenage Fanclub returned with their much anticipated tenth album, Here. It was the long awaited followup to 2010s Shadows. Since then, the members of Teenage Fanclub have been spending much of their time working on various side projects. Eventually, the call came, and everyone returned to the mothership, Teenage Fanclub. That has been home to the Bellshill boys since 1989. This homecoming was going to be special.
From the opening bars of I’m In Love, right through to the closing notes of Connected To Life, Teenage Fanclub never put a foot wrong. The songs are anthemic, beautiful, joyous, melodic and sometimes, even have a melancholy quality. Other times, the songs are dreamy, rocky and ruminative. Always, though, the songs on Here are memorable as Teenage Fanclub roll back the years.
So good is the music on Here, that it’s akin to a return to Teenage Fanclub’s golden years between 1991 and 1997. Back then, Teenage Fanclub could do no wrong. That’s the case on Here, which was released on Teenage Fanclub’s own PeMa label. It’s a welcome return to form, from Teenage Fanclub who are enjoying an Indian Summer in their twenty-seven year career. Here finds Teenage Fanclub combining balladry, perfect pop and jangle pop with rock and even a hint of country. It’s a flawless fusion where Teenage Fanclub back the years on what’s their best album in nearly twenty years, Here.
The Cosmic Dead-Rainbowhead.
Having formed in 2010, The Cosmic Dead didn’t waste time in recording and releasing their eponymous debut album. It was released in 2011, and was a fusion of space rock, Krautrock and psychedelia. The Cosmic Dead showcased a group who channelled the spirit of Hawkwind and Ash Ra Tempel. This won the approval of the record buying public. So have the other albums The Cosmic Dead have released. This includes Rainbowhead.
Every album that The Cosmic Dead have released, has been leading to Rainbowhead. It’s a fusion of heavy rock, Krautrock, psychedelia and space rock. This is the sound that The Cosmic Dead have been honing for the past six years on their five previous albums. However, Rainbowhead trumps everything that The Cosmic Dead have released and should introduce their music to a wider audience.
Rainbowhead features Glaswegian groove-meisters The Cosmic Dead at their hard rocking best. They kick loose from the opening bars of Human Sausage, and never let go until the closing notes of Rainbowhead. In between you’re treated a glorious assault on the sensory system that unleashes endorphins aplenty. This comes courtesy of those genre-melting innovators The Cosmic Dead, and their latest critically acclaimed album Rainbowhead. It’s a career defining album from The Cosmic Dead, and shows that they’re destined to join the elite of Scottish music.
The Magnetic North-Prospect Of Skelmersdale.
Prospect Of Skelmersdale released their sophomore album Prospect Of Skelmersdale on Full Time Hobby last year. It wasn’t an easy album to write. After a false start, The Magnetic North retired to Eskdale, where Simon Tong had holidayed as a child. That was the start of a search for musical inspiration. The Magnetic North left no stone unturned. They studied old news stories; the town’s modern history; relied upon distant memories and even drew inspiration from road signs and graffiti. Gradually, Prospect Of Skelmersdale took shape. Its songs told the stories of the hope that imbued the new town’s arrivals, and the desperation of those who wanted to leave. That’s the case with Skelmerdale, and all of the other new towns that were created in 1961.
In a way, Prospect Of Skelmersdale tells their story too. It’s a powerful musical document, and one that The Magnetic North realise, will become a sonic time-capsule. It documents a time and place in a town’s history. This musical document, Prospect Of Skelmersdale was created by musicians turned historians, The Magnetic North.
They have created another carefully crafted album that’s variously beautiful, elegiac and ethereal and cerebral, cinematic and melodic. For those yet to discover the delights of The Magnetic North, then Prospect Of Skelmersdale is the perfect starting place and is a tantalising taste of what the talented trio are capable of.
The Pictish Trail-Future Echoes.
Four years after the release Secret Soundz Volume 2, in 2012, The Pictish Trail returned with the much-anticipated followup, Future Echoes. It was released on The Pictish Trail’s Lost Map Records, and is the first album The Pictish Trail has released since the demise of Fence Records. However, The Pictish Trail picks up where he left off on Secret Soundz Volume 2.
Future Echoes finds The Pictish Trail combining elements of disparate genres, and weaving them into a musical tapestry. To do this, The Pictish Trail fuses folk, indie pop, dance music and electronica. Other ingredients include indie rock and even psychedelia. They become Future Echoes, an album where ballads and uptempo songs side by side. Together, they create a potent and heady musical brew. It’s akin to a journey on an emotional roller coaster.
During that journey, the songs on Future Echoes are beautiful, catchy, joyous melodic and memorable. Others are cinematic, dark, dramatic and melancholy. Very occasionally the darkness descends, and on Far Gone (Don’t Leave) the lyrics make for uneasy listening. Sometimes, The Pictish Trail heads into anthem territory, and his hook-laden songs prove irresistible. Other times, he showcases his versatility on Future Echoes’ ballads. Transformed into a balladeer, The Pictish Trail breaths meaning and emotion into the lyrics. They’re a reminder that The Pictish Trail, whose one of Scottish music’s best kept secrets, is a versatile and talented singer who seems to mature with age.
The Pyramids-We All Be Africans.
In 2011, The Pyramids reunited. Some of the original members of The Pyramids were augmented by new names. This mixture of the old and new, recorded and released The Pyramids’ album Otherworldly. It was released in 2011, to critical acclaim. Since then, The Pyramids have embarked on seven tours, but have yet to release a new album. That was until The Pyramids released We Be All Africans on Strut Records
From the opening bars of We All Be Africans, which is a truly irresistible and joyous track, Idris Ackamoor and The Pyramids have the listener spellbound. Over the next six tracks, they combine elements of Afrobeat, avant-garde, free jazz, funk, fusion, jazz and soul. This genre-melting album features music that’s celebratory, melancholy, mesmeric, reflective and uplifting. Other times, the music is beautiful, cinematic, heart-wrenching and sombre. Always, the music on We All Be Africans provokes an emotion, and is guaranteed to makes the listener think. Not many albums do that.
We All Be Africans is unlike most albums, and is reminder of the comeback kings Idris Ackamoor and The Pyramids. They’ve spent the last five years constantly touring, but still, have found the time to record a new album, We All Be Africans. Idris Ackamoor and The Pyramids’ much-anticipated and long awaited fifth album, We All Be Africans marks a welcome return to form from one of the hardest working bands in music.
The Temperance Movement-White Bear.
Recording the followup to a successful album can be difficult. Many bands have suffered from second album syndrome. Not The Temperance Movement. Their sophomore album White Bear, which was released by Earache Records. It features The Temperance Movement at the peak of their powers.
They literally strut and swagger their way through White Bear, creating music that’s anthemic, hook-laden, melodic and nine times out of ten, always rocky and memorable. The Temperance Movement don’t ration hooks, as they follow in the footsteps of The Faces, Led Zeppelin, Rolling Stones and Black Crowes on what’s a career changing album, White Bear.
White Bear reached number one on the UK rock charts. It seems that The Temperance Movement are the real, deal and the future of rock ’n’ roll. The Temperance Movement’s sophomore album White Bear showcases an old fashioned rock ’n’ roll band at their swaggering best. Seamlessly, The Temperance Movement fused blistering, old-school rock ‘n’ roll with blues and country on White Bear. This is a heady and potent brew from a truly versatile group, The Temperance Movement.
The Trondheim Jazz Orchestra, Kim Myhr and Jenny Hval-In The End His Voice Will Be The Sound Of Paper.
The Trondheim Jazz Orchestra, Kim Myhr and Jenny Hval premiered In The End His Voice Will Be The Sound Of Paper was premiered at the 2012 Ultima Oslo Contemporary Music Festival. Four years later, In The End His Voice Will Be The Sound Of Paper was released by Hubro Music. It’s been well worth the wait.
The music is beautiful, ethereal, melodic and mesmeric, but also captivating, dramatic, melancholy and otherworldly. Always, the music is innovative, with surprises in store for the listener. Almost seamlessly, avant-garde, Feldmanian music, folk, free jazz, improvisational music and even elements of pop shine through.The Feldmanian, folk and pop influences come courtesy of one of Norway’s finest vocalists, Jenny Hval. Her voice is variously beautiful, despairing, elegiac, emotive, heartfelt and wistful. Sometimes, her vocal is transformed into what’s akin to a musical instrument. When this happens, Jenny joins The Trondheim Jazz Orchestra and Kim Myhr in creating a truly captivating album.
It’s also an album that’s full of subtleties, surprises and nuances. That’s why it’s an album that one will never tire of. Another is the music is innovative. The Trondheim Jazz Orchestra, Kim Myhr and Jenny Hval push musical boundaries to their limits, and continually combine musical genres in the pursuit of musical excellence throughout In The End His Voice Will Be The Sound Of Paper. They certainly succeed in doing so.
Trashcan Sinatra-Wild Pendulum.
Not many bands are still together after thirty years. Most bands split-up long before then. Not Irvine’s finest indie rockers, the Trashcan Sinatras. They’re survivors, who have lived through the bad times and survived to tell the tale. Trashcan Sinatras also released a new album during 2016, Wild Pendulum on Red River Entertainment.
Wild Pendulum features the reinvention of the Trashcan Sinatras. tweaked their sound, and given it a moderne makeover. Sonic scenery, samples, loops, horns and found sounds have been combined on Wild Pendulum. There’s even a dance-track on Wild Pendulum. That was a first. It sits side-by-side with anthems, beautiful ballads and perfect pop. Still, the Trashcan Sinatras were one of the finest purveyors of perfect pop extraordinaire. This the Trashcan Sinatras have been doing since 1986.
Thirty years later, and stll, the wider record buying public have yet to discover the delights of the Trashcan Sinatras, and their sixth album Wild Pendulum. It features Irvine’s finest purveyors of jangle pop at their pioneering best, as they reinvent themselves.. The result is Wild Pendulum, the Trashcan Sinatras finest album since their 1990 debut Cake, Sadly, Wild Pendulum has been overlooked by record buyers, who have missed out on an almost flawless album of jangle pop from one of Scotland’s most talented bands, the inimitable Trashcan Sinatras.
William Fitzsimmons-Charleroi: Pittsburgh Volume 2.
William Fitzsimmons heeded Mark Twain’s advice tp: “write about what you know” on Charleroi: Pittsburgh Volume 2, which was released by Gronland Records. It tells a truly poignant and moving story of how William’s grandmother took her son to the hospital, suffering from whooping cough. Although the baby recovered, his mother never returned and after seven months was adopted by a doctor in the hospital.
The story unfolds during six carefully crafted songs. They feature mostly subtle, sparse and understated arrangements. These arrangements frame William’s vocal, which quite rightly, takes centre-stage. William’s vocals are heartfelt, and full of emotion, sadness, regret and melancholy. So are his lyrics. They range from between beautiful, melancholy and poignant, to thoughtful and moving. It’s impossible not to be moved by the lyrics which have a cinematic quality.
So much so, that it’s almost possible to imagine the story unfolding before your eyes. The seventeen year old giving up her baby, and spending the rest of her life wondering what became of it? Similarly, one can image William’s father constantly wondering what happened to his mother? Eventually, it emerged that William’s grandmother died alone in a motel room just a few years before. Neither William, nor his father met Thelma. However, William decided to tell Thelma’s story on Charleroi: Pittsburgh Volume 2. It’s a personal, poignant and moving album from William Fitzsimmons, where he tells the story of the grandmother he never knew on Charleroi: Pittsburgh Volume 2.
Yuri Gagarin-At The Center Of All Infinity.
Swedish space rockers Yuri Gagarin were formed n Gothenburg, in early 2012. For the first few months of their career, the five members of Yuri Gagarin concentrated on honing their sound. By 2013, Yuri Gagarin were ready to release The Center Of All Infinity. Now three years later, they released their long-awaited sophomore album, At The Center Of All Infinity on Sulatron-Records. It marks a the welcome return of Yuri Gagarin.
From the opening bars of The New Order, to the closing notes of Oblivion, it’s an almost flawless performance from Yuri Gagarin. They combine elements of classic rock, heavy metal and psychedelia with Yuri Gagarin’s unique brand of space rock. It’s fast, frenetic and melodic, as five hugely talented musicians showcase their considerable skills and versatility. Stealing the show are Yuri Gagarin’s guitarists, Crille and Jon. They both play starring roles. However, it’s lead guitarist Crille who gets more opportunities to shine. When he does, he grabs them with both hands, and unleashes a series of blistering, scorching, searing solos. They play an important part in the sound and success of Yuri Gagarin’s career defining album, At The Center Of All Infinity.
- Posted in: Ambient ♦ Avant Garde ♦ Berlin School ♦ Electronic ♦ Experimental ♦ Folk ♦ Folk Rock ♦ Free Jazz ♦ Indie Pop ♦ Indie Rock ♦ Jazz ♦ Krautrock ♦ Latin ♦ Nordic Wave ♦ Pop ♦ Prog Rock ♦ Psychedelia ♦ Rock ♦ Space Rock
- Tagged: Hubro Music, Rune Grammofon, Strut Records, Sunanna, Teenage Fanclub, The Cosmic Dead, The Magnetic North, The Pictish Trail, The Pyramids, The Temperance Movement, Trashcan Sinatras, Yuri Gagarin