Tag Archives: Go

CULT CLASSIC: DEXTER GORDON-A SWINGIN’ AFFAIR.

Cult Classic: Dexter Gordon-A Swingin’ Affair. Tenor saxophonist Dexter Gordon was only seventeen  when he joined  Lionel Hampton’s band in 1940, and for the next three years, played alongside Illinois Jacquet and Marshal Royal. However, by 1944 he was a member of the Fletcher Henderson band before featuring in Louis Armstrong and Billy Eckstine’s bands. …

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DEXTER GORDON-A SWINGIN’ AFFAIR.

Dexter Gordon-A Swingin’ Affair. Label: Blue Note Records. Tenor saxophonist Dexter Gordon was only seventeen  when he joined  Lionel Hampton’s band in 1940, and for the next three years, played alongside Illinois Jacquet and Marshal Royal. However, by 1944 he was a member of the Fletcher Henderson band before featuring in Louis Armstrong and Billy …

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HIROSHIMA’S FIRST FIVE ALBUMS

Hiroshima’s First Five Albums. Dan Kuramoto’s interest in music began when he became the inaugural chairman of the Asian-American studies program at California State University in Long Beach in the sixties. This was an honour for Dan Kuramoto who had just graduated from California State University with a degree in Fine Arts. The chance to return …

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HIROSHIMA-EAST AND PROVIDENCE

Hiroshima-East and Providence. Label: BGO Records. By 1989, Hiroshima was preparing to release their much-anticipated sixth album East, which was the followup to 1987s Go, which was the most successful album of the band’s ten year recording career. For Hiroshima, East and Providence which was recently reissued by BGO Records as a two CD set, …

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HIROSHIMA-THIRD GENERATION, ANOTHER PLACE AND GO.

Hiroshima-Third Generation, Another Place and Go. Label: BGO Records. Dan Kuramoto’s interest in music began when he became the inaugural chairman of the Asian-American studies program at California State University in Long Beach in the sixties. This was an honour for Dan Kuramoto who had just graduated from California State University with a degree in …

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STOMU YAMASHTA-GO TOO.

STOMU YAMASHTA-GO TOO. By the late sixties, jazz was at a crossroads. It was no longer as popular as it had once been. Its popularly had plummeted. Comparisons were being drawn with blues music.  Although there had been a brief resurgence in the blues popularity earlier in the sixties, many of its biggest names were …

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